Pogo's 'Deck Us All With Boston Charlie:' A Walt Kelly Christmas Carol

By | December 22, 2020

test article image
Source: The Website Of Doom

Deck us all with Boston Charlie,
Walla Walla Wash., an' Kalamazoo!
Nora's freezin' on the trolley, 
Swaller dollar cauliflower alleygaroo!

Walt Kelly's Pogo comic strip stopped publishing in 1975, but the spoof Christmas carol "Deck Us All With Boston Charlie" deserves to live on. Kelly's version of the song, mixes winks towards Shakespeare with malapropisms and just straight up gibberish to make one of the weirdest Christmas tunes of the Groovy era.

The song became a tradition in Pogo, with Kelly always working some version of it into the comic strip during the lead-up to Christmas. "Deck Us All With Boston Charlie" has six verses, and has been published in several songbooks featuring music from Pogo.

In the 1950s, Walt Kelly was just off a short stint at Disney when he put ink to paper and dreamt up one of the most popular comic strips of the era. Concerning the comings and goings of an opossum and his swamp-buddies, Pogo took aim at the human condition with sharp wordplay, absolute nonsense, and appearances by some of the biggest political names of the day (albeit in animal form). 

Walt Kelly got his start at Disney

test article image
source: pinterest

Walt Kelly spent much of his early life in Bridgeport, Connecticut, where he worked as a journalist at the Bridgeport Post before traveling west to Southern California where he took a job at Walt Disney Productions. Initially, Kelly worked as a storyboard artist before moving on to work in the animation department, a position that saw him contributing to Pinocchio, Fantasia, and Dumbo.

You may not be able to find Kelly's work in any of those Disney classics, but it's interesting to know that he's one of the many artists who was born of the early days of the House of Mouse.

Kelly left his gig at Disney during the 1941 animators strike, taking a job at Dell Comics illustrating a series of comic books based on fairy tales before hitting on his most popular work, Pogo. It's clear that Kelly drew on his work adapting fairy tales to inform his wordplay in Pogo, especially when it came to writing lyrics.